Saturday, October 31, 2009

Funeral Guest Book Sayings





October 15, 2009


Opening exhibition "From Chile with D "smell"
as part of the Visual Arts Encounter N200
Cellar Space, Padre Miguel de Olivares 1643, Stgo.


Center

Love Your Work

because textile and action

art
The textile work inspired by the sacking of Violet, was brought to the notice of the N200. The action of the art I made for the inauguration of the sample, using ritual elements and a steering wheel taken from a protest by Malena, born on a small scale.













Text Victor Hugo Bravo, curator:

HBV - DE CHILE WITH D-ODOR drains the vacuum constrictor.

"Contemporary society is inhabited by toxicopornográficas subjectivities, subjectivities that are defined by the substance (or substances) that dominates their metabolisms by cybernetics through to become agents for the kinds of desires that guide farmacopornográficos their actions. So, talk about subjects Prozac, subjects cannabis, cocaine subjects, alcoholic subjects, subjects Ritalin, subject cortisone, subject silicone heterovaginales subjects, subjects doblepenetración subject Viagra, etc..

Nothing revealing in nature, there is a hidden secret. We live in the hyper-punk, and it is not revealing the hidden truth of nature, it is necessary to explain the cultural, political, technical, through which the body acquires status as an artifact natural. The oncomouse, laboratory mouse biotechnologically designed for carrying a cancer gene, eats Heidegger. Buffy the vampire television mutant eats Simone de Beauvoir. The dildo, a paradigm of all pleasure Teleproduction prosthesis, he eats the dick of Rocco Siffredi. There is nothing to disclose on sex or sexual identity, no hidden secret. The truth about sex is not revelation, is sex design. "

Beatriz Preciado

De Chile with pain, the opacity is built from production, with proposals woven into the bizarre, anomalous, overheated aesthetic that reverses any possible contemporaneity to re-raise a stigma modernist series B.

Under emotional definition line, each artist is called fracture time to rethink the work in the media now faced with multiple, lucid thoughts and guidelines for a good attitude in the field of the neat, the pure, brilliant and assertive of art we usually recognize.

aesthetic and conceptual migrations, the rambling and riddles context clearly direct us to a medial area of \u200b\u200bwork, actions that are installed in a range of pre-engineered positioning, adjusted to the supply or demand for the institution, deploy a parallel fact to the institution and define an approach to deciphering the riddle.

Under this idea the dog does not lie and whether incubated in fashioning a new bestial creature, organized in other production systems biology that make it a devourer of events, transfers and gossip where they puts this curatorship.

Organized in a simple and outlined mapping we outline some concepts that make platform:

ERRORS - IMPERFECTION - DECONSTRUCTION platitudes - EMOTIONAL - PRECARIOUSNESS - FRAGILITY

delimiting here forms and production methods that are within a range of low or no participation in a coded scenario, nor is the under-fried, but a handicap in the best sense, of being inside something, to set up center and less periphery something that flies the permanent constitution subjective outside any framework of analysis, beyond contingency, outside any container vessel indicating place and position.

Generating a correlation from a plastic look, this proposal tied and chemically mix the parties to make a lot of great work (organic space-bodied) fragmented, unbalanced and attacks the notion of the community, limited in current systems distribution and role play, delving into these disjointed parts that take refuge in the search for a body that contains and means to avoid referring to themselves in a romantic rhetoric inert body of the piece is made, the member deformed of the amputee and replacement of rejection, missed him.

A point of fact anchored in the deformation of this political understanding, clearly escaping and digested a concrete sense of a social stage where assertiveness and need to be a politician is more than an aesthetic event formulation of ideas of prefixes of the individual training, a form definition, in this case a stagnant emptiness summarizes these positions in a pejorative stronghold of voids, smooth, decalcified but precisely where a melancholy and sharp features resemantization impossible, a wish-try perhaps intended to take a pathological achieve complete fault the glorious triviality.

The center core of being and not being, to produce and not create, practice and do not understand is the site of desire, report, safe, obscene and very effective at the time of collectivization from the patch headless.